2004 inaugurated the reign of post-rock with Explosion in the Sky's The Earth Is Not A Cold Dead Place, the whole of which is listed along with choice selections from other albums. They have a particular talent for memorable song titles. Fans of Friday Night Lights will recognize their music, it provides the basic sonic tone of that fine television drama. Check out the boys from Austin, TX, and give your ears a treat.
27.6.12
24.6.12
23.6.12
bravehair
No sooner had Brave's heroine made her first appearance and I had two questions, the answer to both identical; she is not based on Tori Amos, though her hair might surely be, and the movie is not written by Neil Gaiman (an outspoken Amos devotee). Those were my only questions, I was busy loving the movie after that.
21.6.12
ambushed by joy
Joy ambushes its prey, springs from hiding and pounces like a tiger. If not for this benevolent predatory behavior, the experience of joy would be toothless and parched, flavorless and unwelcome as a bowl of oatmeal salvaged from the beach, described in terms no one would ever name a baby.
I found joy waiting for me inside an envelope. The negatives are twenty years old. i believed them lost to the beaches of oblivion until this very morning, fingers crunching unexpectedly up against dessicated plastic sleeves with perforated edges, folded up crooked inside an envelope brimming with effluvia, the scratched, streaked negatives a wonder once held up to the light, the inverted dollhouse images a live performance by my favorite singer, PJ Harvey. A familiar sensation livened that moment, old yet fresh, sudden and unanticipated as a sneak attack.
I was bushwhacked by joy.
I found joy waiting for me inside an envelope. The negatives are twenty years old. i believed them lost to the beaches of oblivion until this very morning, fingers crunching unexpectedly up against dessicated plastic sleeves with perforated edges, folded up crooked inside an envelope brimming with effluvia, the scratched, streaked negatives a wonder once held up to the light, the inverted dollhouse images a live performance by my favorite singer, PJ Harvey. A familiar sensation livened that moment, old yet fresh, sudden and unanticipated as a sneak attack.
I was bushwhacked by joy.
19.6.12
?
The American Library Association has a fabulous catalog of celebrity READ posters that is nevertheless flawed: the current, super-popular Dr Who is missing from it! Even a semi-fan like myself recognizes the oversight. I look forward to how it comes out when the ALA gets around to making one. Until then....
18.6.12
All Affleck All The Time
Ben Affleck steals the show. That's a feat; in Mike Judge's Extract (not to be confused with Mr Judge's humors, which are a private matter entirely reserved for negotiations between he and his HMO)...
Where were we? Sorry, I see acronyms and must know what they stand for. Up to his Kenny Loggins beard in comedic genius, Ben Affleck still manages to not only hold his own with Jason Bateman, Kirsten Wiig, JK and Gene Simmons, and... and... so many geniuses of stage and screen it hurts the heart. Affleck, as in Ben Affleck -Casey Affleck is called brother by Ben (they're related) but frankly the similarities end there and I'm appalled you ever confused them. Try the Baldwins, my friend. That is a camel of a different... Wow, are we in the book of Deuteronomy or what. Apply the brakes. For those who avoided Mike Judge's Extract out of fear that the cast is all Afflecks, they should to Gitmo hence.
With that, it is safe to type that my readers have left their keyboards to the very last one. How did that rumor about the all-Affleck cast in Mike Judge's Extract get legs in the first place? Not here! I didn't even exist yet.
Where were we? Sorry, I see acronyms and must know what they stand for. Up to his Kenny Loggins beard in comedic genius, Ben Affleck still manages to not only hold his own with Jason Bateman, Kirsten Wiig, JK and Gene Simmons, and... and... so many geniuses of stage and screen it hurts the heart. Affleck, as in Ben Affleck -Casey Affleck is called brother by Ben (they're related) but frankly the similarities end there and I'm appalled you ever confused them. Try the Baldwins, my friend. That is a camel of a different... Wow, are we in the book of Deuteronomy or what. Apply the brakes. For those who avoided Mike Judge's Extract out of fear that the cast is all Afflecks, they should to Gitmo hence.
With that, it is safe to type that my readers have left their keyboards to the very last one. How did that rumor about the all-Affleck cast in Mike Judge's Extract get legs in the first place? Not here! I didn't even exist yet.
17.6.12
15.6.12
12.6.12
my nickel review
My Nickel Review is a personal vision of how film commentary should be: brief, to the point, an answer to the critical question, Was it any good? For my opening salvo, Prometheus!
Ridley Scott's welcome return to a genre he pioneered is balanced perfectly on the razor-sharp edge of science fiction and horror, taking us back to the wonder and abomination that made the original Alien film a lasting testament to the human condition. Prometheus makes the horror explicit, presenting images I wish I could get out of my head -a sign, I suppose, of a healthy psyche that recognizes very bad things when it sees them. But for anyone that likes the original or its sequel, Aliens, this is compulsory spectacle at its best.
Ridley Scott's welcome return to a genre he pioneered is balanced perfectly on the razor-sharp edge of science fiction and horror, taking us back to the wonder and abomination that made the original Alien film a lasting testament to the human condition. Prometheus makes the horror explicit, presenting images I wish I could get out of my head -a sign, I suppose, of a healthy psyche that recognizes very bad things when it sees them. But for anyone that likes the original or its sequel, Aliens, this is compulsory spectacle at its best.
10.6.12
9.6.12
8.6.12
stranger in the garden
The Stranger did something great in the year 2000. Free every week in Seattle, The Stranger held a writing contest and published the winner in an unusual format: as the content of its August 17-23 issue. Presented as articles, editorials and classifieds, readers that week got a complete story instead of the usual reporting and reviews. I was floored, loving it and the Stranger editorial staff. Having recently moved back to Seattle, lo and behold, I found the issue in a forgotten folder. A prompt scanning ensued, the results of which are hopefully clean enough to be read. Still, the idea is the thing, and I still love The Stranger for doing it.
love vs doom
A real softy at heart -the softiest, honestly- nevertheless I find it difficult-to-impossible to enjoy romantic comedies. Not to say I avoid them. The genre may be disproportionately tipped in the risk vs reward department -big risk, scant reward- but when you find a good rom-com (or "romedy" as the contraction-obsessed Brits like to say) it is a pearl without price. The Philadelphia Story. Ball of Fire. L'Eclisse. Grosse Pointe Blank. Doubtless I'm forgetting a couple, but you get the idea: wit, sexy actors, glittering dialogue, and love that until the very end seems doom-doom-doomed.
There are notable exemplars that have been made independently, which is to say with little-to-no budget. Jump Tomorrow is an excellent rom-com that nobody's heard of -until they've read my blog, that is. It stars TV On The Radio's lead singer, Tunde Adubimpe, way prior to fame and fortune (I hope he's rich now), a highly enjoyable 90 minutes. Imaged below is another keeper, New Zealand's brilliant and highly-quirky (a rare combo, indeed!) answer to life, love and everything:
There are notable exemplars that have been made independently, which is to say with little-to-no budget. Jump Tomorrow is an excellent rom-com that nobody's heard of -until they've read my blog, that is. It stars TV On The Radio's lead singer, Tunde Adubimpe, way prior to fame and fortune (I hope he's rich now), a highly enjoyable 90 minutes. Imaged below is another keeper, New Zealand's brilliant and highly-quirky (a rare combo, indeed!) answer to life, love and everything:
6.6.12
5.6.12
4.6.12
paperback art
Ragged and foxy, spine miraculously uncompromised, one look at this Daw edition of Philip K Dick's seminal novel and I was smitten, as bee to flowery nectar; were my hair ablaze, I'd have still found the will to buy it. With more haste than usual, granted. Some might find the artwork less than pleasing to their tastes. That likely explains why the book was available in the first place; that and its rough condition. As you have already gathered, I've a different eye toward the cover -and not merely by virtue of its bizarre appearance or clever punning of the title. The cover illustration is marvelous, a visual presentation of the book's antagonist that adheres accurately to the author's description; it is so cunning, in fact, that I suspect Dick went back and changed a few details to make a better match. That is, he would have done so, had he been alive: though the novel was written halfway into Philip K Dick's career, this edition was published in that post-career period that follows an author's demise, that grim non-existence that disallows tinkering with past works or creation of future ones. This is just as well. A future envisioned like Dick's, populated by mutants like our friend here, stands well and frighteningly enough on its own.